Use the attached image as facial reference. Preserve the model's exact face, skin tone, bone structure and features accurately throughout.
WORLD: A studio space with a deep textured atmospheric background — warm olive-green light fills the left side of the air, deep copper-amber light bleeds in from the right. The background is NOT a painted wall — it is colored atmospheric air with soft depth and natural tonal variation, like the atmosphere inside a very old room where green and gold have lived together for centuries.
POSE: She is seated on a low surface — a wooden block or low carved stool — but her torso is turned 45 degrees away from camera, showing her back. Her face turns back sharply over her left shoulder toward camera — the over-shoulder turn that makes this composition. Her weight is on her left hip. Her right knee is bent forward, right foot on the floor. Her left leg is tucked under her slightly. Her left arm — the arm facing camera — crosses her body and her left hand holds the edge of her lehenga skirt lightly at the knee, the fingers relaxed. Her right arm is behind her, right hand resting on the surface she is seated on. Her chin is level, her gaze direct into the lens — the only prompt in this collection where she looks directly at the camera. The expression is a complex one: not a smile, not a challenge — the look of someone who has decided they want to be seen.
COSTUME: [Deep burnt orange silk lehenga] with [blue and gold embroidered panels in a large paisley pattern] — the contrast of the orange silk and the blue embroidery visible in the full skirt spread around her. [Deep blue silk embroidered blouse] that matches the lehenga panel embroidery — its back visible because of the turned pose, showing the full embroidered back panel. [Loose sheer copper dupatta] draped across her lap and falling to the floor — not over the head in this prompt, worn as a skirt overlay.
JEWELRY: Complete bridal set — [heavy blue and gold meenakari choker] with blue enamel set in gold frames visible at the throat as she turns. [Long gold and blue haar]. [Gold maang tikka] with blue enamel teardrop. [Gold nath] with blue enamel inlay. [Gold and blue meenakari jhumka earrings]. [Gold bangles] on her left arm — visible as she holds the skirt. [Gold haath phool] on her left hand.
SETTING: Layer 1 — her seated body, the lehenga spreading around the base of the stool, the blue embroidered blouse back sharp. Layer 2 — the low carved wooden surface she sits on, the dupatta pooling on the floor beside her, partially soft. Layer 3 — the warm olive-green and copper-amber atmospheric air deepening to near-black at frame corners.
LIGHTING: Two atmospheric light sources — warm olive-green light filling the left side of the air, deeper copper-amber light from the right. The left green-toned light falls on her upper back and left shoulder. The copper-amber right light catches her face as she turns — warming her left cheek (now the front-facing cheek in the turn) with amber gold. The back of her head is rimmed with the green atmosphere — a subtle cool-warm contrast. Her direct gaze into the lens is the most lit element of the frame — the copper light catching her eyes fully.
CAMERA: 85mm. Eye level. 5 feet from subject — three-quarter body visible, the full lehenga skirt spread visible at bottom of frame. f/2.2 — her eyes at maximum sharpness, the lehenga hem and floor-level dupatta in gentle bokeh.
Ultra-photorealistic. Editorial register — this is a Vogue India cover composition. Film grain. 4:5 ratio image.
